In this edition of the ArtTactic Podcast, we're here with Nahema Mehta, founder of Art Remba, a NY-based art rental company. First, Nahema explains in detail how Art Remba works, from their subscribers choosing artworks to Art Remba delivering them to the client. Then, she discusses what type of individual is most likely to rent high-end art versus buying artworks via auction, gallery or fair. Also, Nahema details the type of artworks currently available for rent at Art Remba as well as how Art Remba's subscribers can ultimately purchase the artworks they rent.

In this edition of the ArtTactic Podcast, Mauro Herlitzka, Institutional Director of PINTA, joins us to preview PINTA London and provide us with an update on the state of the Latin American art market.  First, Mauro identifies some of the trends in the contemporary Latin American art scene that will be manifested at this year's edition of the fair. With PINTA hosting fairs in both New York and London, Mauro then compares the development of the Latin American art scenes in these two cultural capitals. Lastly, he discusses the shifting tastes in the Latin American art market towards contemporary art.

In this episode of the ArtTactic Podcast, Neha Kirpal, Director of the India Art Fair, returns to the podcast to recap the India Art Fair. First, Neha provides us with some interesting statistics regarding this year's fair, including overall attendance figures. Then, she touches on the international presence of galleries exhibiting at the fair and why this is important to the future of the fair and the Indian art market. Lastly, Neha discusses to what extent the large number of visitors are turning into art buyers and collectors.

In this edition of the ArtTactic Podcast, Sapna Kar, co-founder and director of India Art Collective, joins us to tell us about India's first online art fair. Sapna begins by providing some information about the galleries and artworks that will be at the fair as well as the layout of the online fair from the visitor's perspective. Then, she shares her thoughts on the VIP Art Fair and explains how India Art Collective will compare.

In this episode of the ArtTactic Podcast, William MacDougall, co-founder and co-director of MacDougall’s Auction House, the London-based auction house specializing in Russian Art, returns to the podcast to update us on the Russian art market. First, William gives us a sense of how the Russian art market is holding up in this economic climate. Also, he compares the very different Contemporary and Classic Russian art marketplaces. Then, William argues that art is an asset that collectors have confidence in at the moment. Lastly, he tells us about Russian buyers' trends and the possibility of Chinese buyers entering the Russian art market.

In this episode of the podcast, we talk with Dinesh Vazirani, Co-founder and Director of Saffronart, the Mumbai-based online auction house and gallery. Dinesh starts by discussing the performance of the Indian art market in 2009 and to what extent it aligned with his own personal expectations. Then, he addresses the heavy presence of speculators that existed in the Indian art market and what kind of threat they are to the health of the Indian art market. After, Dinesh dissects the major changes to the Indian art collector base over the past decade. Additionally, Dinesh shares his outlook for the Indian art market for 2010, why Saffronart's online model has been so successful and lastly whether or not Saffronart will auction off U.S. and European art in the future.

In this episode of the ArtTactic Podcast were joined by Amrita Jhaveri, founder of AM art India Private Limited. Amrita provides us with her thoughts on the most recent major Indian contemporary and modern art auctions that occurred earlier this month in London as well as how the downturn has impacted the health of the Indian art market. Also, Amrita details several of the reasons behind the amazing development of the modern and contemporary Indian art market over the past decade. Lastly, she touches on how the excess of art funds in India has resulted in a highly speculative Indian art market.